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(When I watch , I wish I was watching it twice, with a second set of eyes and ears.) It’s rightly claimed by fans that the point of the film isn’t the mystery’s solution, but the path of its investigation.
But the procedural structure, too, will wash away, laying bare the film’s radical concept, that the apex of classic Hollywood pleasure was always contained in simple, yet totally committed, play-acting, supported by scenery and lighting that never, for the sake of full realism, fails to flatter the players.
The core of the festival, of course, is the weekend marathon.
Bundle up Friday night to hear saxophonist Rudresh Mahathappa’s rhythmically elliptical Indo-Pak Coalition, drummer Ches Smith’s Haiti-centric We All Break, and experimental Brooklyn duo Sonnymoon at various locations.
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The album’s title track, on which Blood sings lead vocals, is one of the standouts, sounding like a classic Sixties pop song shot through with saxophone and jazzy keyboards.
Kunst, a party that’s named after the German word for “art,” was started in 2013 by performance artist Gage of the Boone and New York nightlife legend Susanne Bartsch, who is known for the high art–level looks at all her parties.
If 2018 is already getting you down, perk up at an afternoon of percussive dance, brought to you by seven diverse troupes.
On this year’s roster are quirky works by Florida-based Andrea Ward, the jazz-tap stylings of Ann Dragich, Barkha Dance Company (a classical Kathak dance organization), Irish dance doyenne Darrah Carr, Boston-based Noa Barankin’s Drumati X (combining tap with drumming), veteran tap teacher Germaine Salsberg and her ensemble Les Femmes, and the challenging and highly entertaining tap choreography of David Parker and the Bang Group. The yearly planetary musical potpourri Global Fest moves to Times Square, where, per usual, a dozen culturally disparate acts will perform on three stages for a convention’s worth of performing-arts presenters — and you!